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Why acoustics matter for teaching and learning spaces

<h2>Children are inefficient listeners who require optimal acoustic conditions in order to hear and understand &lpar;Valentine&comma; Halstead&comma; McGunnigle&comma; Dodd&comma; Hellier&comma; Wood &amp&semi; Simpson&comma; 2002&rpar;&period; They are neurologically undeveloped and lack experience to predict from context &&num;8211&semi; especially younger students who are only starting to grasp the basics of comprehension&period;<&sol;h2>&NewLine;<blockquote>&NewLine;<p>Children who miss key words&comma; phrases and concepts because of poor listening conditions may do poorly academically and suffer from behavioural problems&period;<&sol;p>&NewLine;<&sol;blockquote>&NewLine;<p><a href&equals;"https&colon;&sol;&sol;www&period;theguardian&period;com&sol;teacher-network&sol;zurich-school-competition&sol;gallery&sol;innovative-learning-spaces-gallery">Innovative Learning Spaces<&sol;a> &lpar;ILS&rpar; are emerging as a favoured classroom type to facilitate group work and benefit the children’s social development&comma; promoting the sharing of skills&comma; ideas and experiences&period; This takes place in open-plan environments where several class-bases share the same space&comma; resulting in a large number of children in one larger area&period; <&sol;p>&NewLine;<p>However&comma; many acoustic issues arise with ILSs&comma; such as high noise levels coming from other class-bases in the same space&period; Acoustic conditions often do not facilitate a good signal to noise&comma; especially further away from the teacher&period; This can be especially problematic for children who struggle to separate the signal from background noise&period; Furthermore&comma; the larger spatial volumes lead to higher reverberation times that negatively affect speech intelligibility&period; Longer reverberation times also exacerbate background noise&period; <a href&equals;"https&colon;&sol;&sol;www&period;google&period;co&period;uk&sol;url&quest;sa&equals;t&amp&semi;rct&equals;j&amp&semi;q&equals;&amp&semi;esrc&equals;s&amp&semi;source&equals;web&amp&semi;cd&equals;1&amp&semi;ved&equals;0ahUKEwjU0LiJzc7PAhXEJ8AKHR1XB&lowbar;MQFggcMAA&amp&semi;url&equals;https&percnt;3A&percnt;2F&percnt;2Finfostore&period;saiglobal&period;com&percnt;2Fstore&percnt;2FPreviewDoc&period;aspx&percnt;3FsaleItemID&percnt;3D451191&amp&semi;usg&equals;AFQjCNGI&lowbar;vlzDlyolokL0CTCQ5HsKPFX6g&amp&semi;bvm&equals;bv&period;135258522&comma;d&period;ZGg">Australian and New Zealand Standard &lpar;AS&sol;NZS&rpar; 2107<&sol;a> recommends a reverberation time of 0&period;4-0&period;5 seconds&period;<&sol;p>&NewLine;<p>Designing an optimal acoustic environment prevents unsatisfactory acoustics affecting the listening capabilities of children at school&period;<&sol;p>&NewLine;<blockquote>&NewLine;<p>It’s not only students who suffer from sub-optimal acoustics either&semi; loud or reverberant classrooms may force teachers to raise their voices&comma; leading to increased stress&comma; fatigue and potential voice impairment and nodules on vocal chords&period;<&sol;p>&NewLine;<&sol;blockquote>&NewLine;<p>The ceiling was improved to reduce reverberation rates at Ellerslie School in Auckland&comma; DLM Architects designed two new ILS classroom blocks&period; Their design included Autex composition coverage on all the walls&comma; carpet tiles on the floor and direct fix acoustic panels on the pitched cathedral-style ceiling&period; However&comma; because of budgetary constraints&comma; DLM Architects were instructed to remove the acoustic ceiling panels contrary to recommendations&period; The ceiling was always having a pasteboard sub-lining for bracing so this then became the finished surface&period; &lpar;Plasterboard is highly reflective for sound&rpar;&period; <&sol;p>&NewLine;<p>Once the classrooms were completed in April and June&comma; 2015&comma; DLM Architects received complaints from teachers and the principal of the school relating to the acoustics in these new spaces&period; Testing confirmed that the reverberation well exceeded recommended times&semi; one classroom had an average reverberation time of 1&period;06 seconds and the other tested at 0&period;80 seconds&period;<&sol;p>&NewLine;<blockquote>&NewLine;<p>Reverberation times above one second are incredibly detrimental to speech intelligibility&period;<&sol;p>&NewLine;<&sol;blockquote>&NewLine;<p>It was agreed to retrofit the ceiling at a later stage when funding became available&period; During the school holiday period&comma; the classrooms were retrofitted with a T&amp&semi;R Interior Systems C Max Absorb 15mm suspended ceiling with an NRC of 0&period;95&period; Consequent re-testing confirmed that this was essential to bring the reverberation time to acceptable levels&period; The same classrooms now had reverberation times of 0&period;45 seconds and 0&period;42 seconds unoccupied&period;<&sol;p>&NewLine;<p>This highlights that in an ILS&comma; the acoustic properties must be integral to the whole design because of the larger volumes and low reverberation time required&period; It is not sufficient to merely treat a few surfaces&period; However&comma; even though DLM Architects had correctly addressed the acoustics during the design phase&comma; acoustic treatments are often sacrificed when the budget gets tight as in the Ellerslie School project&period; Ironically&comma; retrofitting acoustic treatment into a room that is &&num;8216&semi;unfit for purpose&&num;8217&semi; ends up costing the client considerably more&period; <&sol;p>&NewLine;<p>Specific criteria for acoustic-measurements in classrooms are currently not included in the Australian building code&comma; and this responsibility falls to architects and designers&period; However&comma; guidelines for acoustics in education spaces can be found in AS&sol;NZS 2107 and in an ILS assessment tool sheet&period; Schools are encouraged to ensure that acoustic conditions in teaching spaces provide the best possible outcome and it is strongly recommended that schools remedy any acoustic shortcomings&period;<&sol;p>&NewLine;

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Hedda Maria Oosterhoff

Hedda Maria Oosterhoff has a Master in Architecture qualification and a Bachelor's degree in Music.

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